Takashi Murakami’s newest collaboration with Louis Vuitton transforms the Capucines bag and takes over Artwork Basel Paris with surreal coloration and scale.
Abstract
- The seventh Artycapucines Assortment options 11 new Capucines luggage reimagined by Takashi Murakami.
- Every design channels Murakami’s signature icons by Louis Vuitton’s technical mastery.
- The launch at Artwork Basel Paris features a monumental set up that includes an eight-metre octopus sculpture.
Louis Vuitton’s Artycapucines collection has at all times turned the Capucines bag right into a clean house for artists to experiment. For its seventh chapter, the home collaborates with Takashi Murakami, the Tokyo-born artist recognized for merging pop, anime, and high quality artwork into one hyper-color world. Almost 20 years after their first collaboration, Murakami returns with eleven new interpretations of the Capucines, every designed as a collectible work that bridges craftsmanship and fantasy.
Working intently with the Louis Vuitton design group, Murakami handled the bag as each object and sculpture. His recurring motifs such because the smiling flower, the panda, the mushroom, and the multicolor monogram seem in vivid kinds. The Capucines East West Rainbow reshapes the bag into his flower motif, whereas the Mini Mushroom is roofed in a forest of 3D-printed mushrooms, every hand-embroidered on mirrored leather-based. The Mini Tentacle transforms his character Mr. DOB into an octopus, and the Dragon bag replicates his 18-metre portray Dragon in Clouds Indigo Blue with astonishing precision. The Panda Clutch, forged in silver-tone brass and set with greater than six thousand crystals, feels nearer to a museum piece than a handbag.
The Artycapucines venture has, since 2019, united artists like Henry Taylor, Paola Pivi, Vik Muniz, and Beatriz Milhazes with Louis Vuitton’s atelier. Murakami’s flip underscores the energy of that partnership, which started along with his 2003 redesign of the monogram canvas and helped usher artwork deeper into the vocabulary of vogue.
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To have a good time the discharge, Louis Vuitton staged an immersive set up on the Grand Palais for Artwork Basel Paris. Murakami reworked the Balcon d’Honneur into his personal universe, centering an eight-metre-tall octopus impressed by Chinese language lanterns. The house was coated in carpeting printed with its tentacles, whereas the creature’s glowing head displayed his Jellyfish Eyes motif from 2001. The scene was each theatrical and intimate, recalling Murakami’s capacity to show concern into play.
Contained in the tentacles, the eleven Artycapucines luggage had been displayed alongside his spherical Plush Balls, delicate sculptures developed since 1995 that encompass viewers in a kaleidoscopic subject of coloration. The Capucines BB Golden Backyard, Capusplit BB, and Mini Autograph sat close to a brand new Cherry Blossom Plush Ball created for the exhibition, whereas the Capucines Mini Tentacle and MM Eye mirrored the central octopus’s options. The XXL Camo and East West Dragon referenced his earlier TIME and Dragon in Clouds works, drawing a transparent line between his artwork and Vuitton’s craft.
This exhibition additionally extends a long-standing dialogue between Louis Vuitton and up to date artwork. From Gaston-Louis Vuitton’s artist commissions within the Twenties to collaborations with Sol LeWitt, Richard Prince, and Yayoi Kusama, the home’s partnerships proceed to broaden the language of luxurious. Murakami’s set up at Artwork Basel Paris isn’t just a presentation of purses however a continuation of a narrative that began on the runway in 2003 and has grown into an ongoing dialog about creativity, scale, and craftsmanship.
The Artycapucines VII Assortment will probably be accessible in restricted numbers following its international reveal on October 21 at Artwork Basel Paris.
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